Pharmakon revels in human-made havoc on Maggot Mass

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Pharmakon embraces duality through sound. For 17 years, power-electronics artist Margaret Chardiet has been making bristling, textural chaos under the name Pharmakon—a Greek word that can mean remedy and poison. Deconstructionist philosopher Jacques Derrida introduced the concept “pharmakon” as a container for binaries central to Western logic traditions, like good/bad and internal/external. Chardiet has composed her five studio albums with these tensions in mind, striving for something visceral and organic with her harsh, mechanical noise. 

On her latest release, October’s Maggot Mass (Sacred Bones), Chardiet explores natural versus built environments while condemning capitalist greed and human-made catastrophes. “Methanal Doll” looks at the irony of the funeral industry and the many ways our bodies are prevented from decomposing back into the earth from which we sprang. “Buyer’s Remorse” links mass consumption to pollution and labor abuses while underscoring our inability to completely opt out of consumer culture. “Splendid Isolation” positions loneliness as a reaction to an artificial scarcity of affection by describing how technology breeds disconnection. 

Maggot Mass is easily Chardiet’s most outward-looking release as well as her most melodic—though the latter is a relative assessment, given the atonal brutality of her output. Many noise artists approach performances of their work intuitively or improvisationally, so that each show provides a loose reimagining of a recorded track, but Chardiet is exacting about her material. Her silences are as measured as her screams, and her performances are remarkably faithful to her recordings—albeit amplified by her full-throttle onstage delivery. Chardiet is coheadlining a tour with Sacred Bones labelmates Uniform, whose latest album, August’s American Standard, is a raw exploration of the battle that vocalist Michael Berdan has fought with bulimia. This Empty Bottle show should be a night to revel most artfully in the punishment of existence.

Pharmakon Uniform and Pharmakon coheadline (with Uniform playing last); True Body open. Tue 12/10, 9 PM, Empty Bottle, 1035 N. Western, $20, 21+


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Chicago Reader staff writer Micco Caporale (they/them) is an award-winning journalist and Korn-fed midwesterner bouncing their way through basement shows, warehouse parties, and art galleries.

They’re interested in the material, social, and political circumstances that shape art and music and the subcultures associated with them.

Their writing has appeared in outlets such as Nylon, Pitchfork, Buzzfeed, In These Times, Yes! Magazine, and more.

When not nurturing their love affair with truth, beauty, and profanity, they can be found powerlifting.

Caporale lives in Chicago. They speak English and you can reach them at [email protected] and follow their work on Twitter.

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