List for life – Chicago Reader

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List for life - Chicago Reader

Seeing Writers Theatre’s current production of Every Brilliant Thing on opening night three days after the election hit harder than it might have otherwise done. Duncan Macmillan’s 2013 solo play, which started life at the Ludlow Fringe Festival in the UK, is about literally listing the things that make life worth living (everything from “ice cream” to “completing a task”). Originally performed by Jonny Donahoe (who is credited as coauthor), this is the show’s second appearance on Chicago stages, after the Windy City Playhouse 2019 outing. It feels even more essential now.

Every Brilliant Thing
Through 1/5/2025: Wed–Fri 7:30 PM, Sat 3 and 7:30 PM; Sun 2 and 6 PM; also Wed 11/13, 11/20, and 12/11 3 PM; no show Sun 6 PM 11/17, 11/24, and 12/15; open captions Thu 11/14; Writers Theatre, 325 Tudor Ct., Glencoe, 847-242-6000, writerstheatre.org, $70

Jessie Fisher, under Kimberly Senior’s direction, is our guide through the show’s 70 minutes, which takes place in the company’s smaller Gillian Theatre, transformed into a cozy backyard patio by set designer Izumi Inaba. Audience members (some of whom are seated onstage) are handed slips of paper to chime in with items on “the list”—created by the narrator as a young child in response to her mother’s attempt to end her own life. As she grows, we see how her mother’s depression has marked her own path through life and her own difficulties in forming close relationships. “The list” becomes a group project, added to over the years by friends.

The show doesn’t shy away from sadness and grief (and at one point, offers some helpful advice for how to frame discussions around suicide). But Fisher’s beguiling performance—aided by audience volunteers who stand in for the narrator’s dad, school therapist, college lit professor, and spouse—creates a room for us to collectively think about what lights our way when it feels like the entire world is blinding us. “We have to imagine a future that’s better than our past,” she says at one point. A tall order these days, but a good reminder that getting through it together with compassionate souls is the starting point.


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Kerry Reid (she/her) has been the theater and dance editor at the Chicago Reader since 2019.

Graduating from Columbia College in 1987, she worked with several off-Loop theater companies before beginning her arts journalism career by writing pro bono for Streetwise.

She spent most of the 90s in San Francisco, writing about theater for Backstage West and the East Bay Express, among other publications, and returned to Chicago in 2000.

Reid was a freelance critic for the Chicago Tribune for 17 years, and has also contributed to several other publications, including Windy City Times, Chicago Magazine, Playbill, American Theatre, and the Village Voice.

She taught reviewing and arts journalism at Columbia and is currently adjunct faculty at the Theatre School at DePaul University.

In a past life, Reid also wrote about ten plays or performance pieces. She is a member of the American Theatre Critics Association and the recipient of two 2020 Lisagor Awards.

Reid lives in Rogers Park. She speaks English and is reachable at [email protected].

More by Kerry Reid



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