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Trump nominee Tulsi Gabbard cozies up to America’s enemies

Glance through any post-election voter interview and you will inevitably find someone who mentions “America first” when explaining his or her vote. They understand the term in varying ways, but the throughline is the belief that Donald Trump is a strong leader who will steadfastly pursue America’s national interests.

Sorry, but that is deluded. Even by the strongman standard, Trump is not securing America. His nominees are not just unqualified; they are anti-qualified. If he were attempting to sabotage America’s interests, it’s hard to see how he would do things differently.

Someone who cared about America’s security would never dream of nominating a weekend TV host with no relevant experience in running large organizations to serve as secretary of defense, far less someone who has an alcohol problem, white nationalist sympathies and a history of sexual misconduct. Many Republican senators are minimizing the credible accusations against Peter Hegseth, so perhaps a primer is in order about why character matters.

It matters for all officials if you care about honest, responsible government (an antique taste perhaps). For those in sensitive national security posts though, good character is more than desirable; it’s essential. If a defense secretary is drunk during a crisis, lives can be lost. And if he has a history of sexual assault, it’s possible, even likely, that there may be more unreported episodes out there that could be exploited by an enemy to blackmail him.

The choice of Tulsi Gabbard for director of national intelligence is even less explicable. Her appalling judgment comes into sharp focus this week with the fall of Bashar al-Assad.

Gabbard’s outstanding trait has been warmth toward dictators. In 2017, she traveled to Syria and met with Assad not once but twice. Like so many political pilgrims, Gabbard saw what she wanted to see, not the reality staring her in the face. In 2017, she had every reason to know that Assad had not only used chemical weapons against the Syrian people but had welcomed Russian assistance in his civil war, and that Iranian-allied troops and Russian fighters had conducted operations against American interests in the region.

Gabbard embraces conspiracy theories

No one knows what Assad and Gabbard discussed in their two hours together, but soon after she emerged, Gabbard was expressing skepticism that Assad had really used poison gas, and by the time of her 2020 presidential run, she was citing full-on conspiracy sites that claimed the chemical attacks were false flag operations designed to bring the United States into the war.

Her credulousness — if that’s what it is — looks particularly obscene this week, as stories are coming out about the grotesque human rights abuses committed by Assad in Sednaya prison and at other places around Syria. Within hours of Assad’s departure, people swarmed the prisons in hopes of finding loved ones alive. At Sednaya, they forced open the doors of the prison morgue and found bodies in conditions reminiscent of the Holocaust or the Cambodian genocide.

The New York Times reported some of the grisly details: “One woman shrieked at what she found. Most of the bodies were emaciated, the skin hanging off their bones. The shoulders of one man was covered in the scars of puncture wounds. Another had a thick red scar around his neck — a rope burn, the examiners believed. Yet another man was missing his eyes.”

Some of the women prisoners were found with toddlers in their cells, doubtless the result of prison guards raping them. Rape and torture were routine in the prison Amnesty International labeled a “human slaughterhouse.” Human rights groups vary in their estimates of the number of Syrians murdered by their designer-clothes-clad, Bentley-driving dictator, but the range is between 13,000 and 30,000 dead at Sednaya alone since the uprising against Assad began in 2011. The total of all Syrians killed since 2011 in the civil war is estimated to be 620,000, with 12 million refugees.

Gabbard demonstrated similar credulousness about Russia and Putin, mouthing so many Kremlin talking points that Russian TV hosts referred to her as “Russia’s girlfriend.” She repeated the propaganda that the United States and NATO were responsible for Putin’s invasion of Ukraine, tweeting in 2022 that “This war and suffering could have easily been avoided if Biden Admin/NATO had simply acknowledged Russia’s legitimate security concerns.” She has denounced Volodymyr Zelenskyy as corrupt and repeated the baseless smear (originated in the Kremlin) that the United States was operating biological weapons laboratories in Ukraine and was responsible for sabotaging the Nord Stream gas pipeline.

There is something wrong with Gabbard. The pull of conspiracism — particularly anti-American conspiracism — seems to be her overriding mental frame. In this, she and Trump (and RFK Jr. and so many others) are united. If she were merely a member of Congress, her tropism toward murderous dictators would be disturbing, but as head of America’s intelligence community, it’s utterly insane. This is the furthest thing from America First.

Mona Charen is policy editor of The Bulwark and host of the “Beg to Differ” podcast.

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Chicago Reader Receives Transformational $350,000 Two-Year Grant from MacArthur Foundation

CHICAGO — Dec 12, 2024 — The MacArthur Foundation announced on Thursday the Reader Institute for Community Journalism (RICJ) will receive $350,000 to support the operations of the Chicago Reader and its political and cultural coverage of the Chicago area.

“We can’t thank the MacArthur team enough for making a ‘big bet’ on the Reader.” Solomon Lieberman, CEO of RICJ, said.” Young nonprofits like ours live or die based on multiyear support, and this funding is critical as we seek to expand our newsroom and increase our community-driven coverage of arts and culture throughout the city. As part of that increase we’ll be shining a light on the impact the arts have on Chicago: as a healing agent, an economic driver, a sounding board for ideas, and as a tourist attraction.”

The MacArthur Foundation launched the Local News Program last year with a commitment of at least $150 million in new grantmaking to local news over five years, and the potential of $25 million in additional impact investments. This latest round of grants brings the total committed to date to more than $90 million.

RICJ was one of six newsrooms awarded in this round of grantmaking, and the only Chicago-based newsroom. Grants were also awarded to journalism service organizations and other research and collaborative organizations. An additional $3.3 million will go to the Chicago Community Trust through Press Forward Chicago, as part of a national initiative led by MacArthur to strengthen communities and democracy by supporting local news and information.

Published weekly, print copies of the Chicago Reader can be found in over 1,100 locations across the city. Digital coverage can be found daily at chicagoreader.com.

Media inquiries:

Chasity Cooper, Director of Marketing 

[email protected]


ABOUT CHICAGO READER

For more than 50 years, the Chicago Reader has been a fearless, innovative, and nationally respected media voice in Chicago. The Reader is available in print every week and daily online, and includes coverage of tastemakers, incisive critics, and agenda-setters. Community-supported, the Reader takes pride in its equitable approach to community coverage, staffing, and vendor supply.

ABOUT READER INSTITUTE FOR COMMUNITY JOURNALISM (RICJ)The Reader Institute for Community Journalism is organized and operated to educate, advance, and inform public discourse through local, independent journalism in the Greater Chicago metropolitan area. RICJ operates and publishes the Chicago Reader, which creates and curates political and cultural coverage by and for Chicago, including highlighting underrepresented communities and stories.



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Chicago Sun-Times 2024 All-Area high school football team

Offense

Parker Brault, Marshall

OL Parker Brault, Palatine, Sr. 6-3, 300 pounds

Marshall recruit. Teamed with junior Tony Balanganayi to on an offensive line that averaged 5.6 yards per carry, gained 3,398 total yards and allowed only four sacks. Top unit on a team that finished 8-2 and won the Mid-Suburban League West.


Michael McDonough, Andrew

Michael McDonough, Andrew

OL Michael McDonough, Andrew, Sr. 6-4, 290 pounds

Illinois recruit. Three-sport athlete who anchored Andrew’s offensive line, the heart of the team. Helped lead the Thunderbolts to six wins and a state playoff appearance.


Michael O'Connell, Glenbard West

Michael O’Connell, Glenbard West

OL Michael O’Connell, Glenbard West, Sr. 6-7, 285 pounds

Northwestern recruit. Earned numerous postseason honors including Red Grange All-County. Also plays basketball. Latest in a long, distinguished tradition of outstanding Glenbard West linemen.


Matt Marek, Sandburg

OL Matt Marek, Sandburg, Sr. 6-4, 265 pounds

Indiana recruit. Three-year varsity player became team captain and all-conference selection while leading the Eagles to the state playoffs.


Joseph Reiff, York

OL Joseph Reiff, York Sr. 6-6, 250 pounds

Notre Dame recruit. A dominant force on offensive and defensive line. Finished with 57 tackles, eight TFL’s, 2.5 sacks and 31 quarterback hurries. Became an impact player on the offensive line in the second half of the season.


Jack Elliott, Mount Carmel

Jack Elliott, Mount Carmel

QB Jack Elliott, Mount Carmel, Sr. 6-0, 205 pounds

Vanderbilt recruit. Played on three Class 7A state championship teams and was the starting quarterback on two. Threw for 3,147 yards and 36 touchdowns with eight interceptions. Also devastating on the ground, rushing for 858 yards and 18 touchdowns.


Drew MacPherson, Loyola

RB Drew MacPherson, Loyola, Sr. 6-2, 195 pounds

Iowa recruit. Most consistent weapon for the back-to-back-to-back Class 8A state champions. Rushed for 1,184 yards and 15 touchdowns. Caught 59 passes for 709 yards and seven touchdowns. Scored 35 career touchdowns and pitched in on defense during key situations.


Myles Mitchell, Richards

RB Myles Mitchell, Richards, Sr. 5-10, 190 pounds

North Dakota State recruit. Holds the school records for rushing and total touchdowns. Two-time conference player of the year that led the Bulldogs to the state semifinals. Rushed for 1,713 yards and 33 touchdowns. Had 13 catches for 139 yards and three touchdowns. Returned two kickoffs for touchdowns.


Aaron Stewart, Warren

RB Aaron Stewart, Warren, Jr. 5-7, 175 pounds

The area’s most effective running back. Had 343 carries for 2,456 yards and 34 touchdowns. Also had 13 receptions for 82 yards. Led Warren to seven wins and the state quarterfinals.


Terrence Smith, West Aurora

Terrence Smith, West Aurora

WR Terrence Smith, West Aurora, Sr. 6-4, 185 pounds

Iowa recruit. School’s all-time leader in receptions. Scored 25 career touchdowns while leading the Blackhawks to the Upstate Eight West title, an undefeated regular season and a spot in the Class 8A state playoffs.


Talyn Taylor, Geneva

WR Talyn Taylor, Geneva, Sr. 6-1, 180 pounds

Georgia recruit. Sun-Times Player of the Year. Finished the season with 84 receptions for 1,617 yards and 24 touchdowns. Averaged 19.3 yards per catch and had two kickoff return touchdowns. DuKane offensive MVP who teamed with quarterback Tony Chahino to lead Vikings to the Class 6A state title game.


Logan Malachuk, Nazareth

ATH Logan Malachuk, Nazareth, Sr. 5-11, 185 pounds

Uncommitted. Led the Roadrunners to three consecutive Class 5A state championships. Holds the state records for most passes completed in a carer, most career passing yards and most career total yards. Finished his senior season with 48 total touchdowns and 3,421 passing yards.


Defense

Chris Burgess, Simeon

DL Chris Burgess, Simeon, Sr. 6-3, 248 pounds

Notre Dame recruit. Dominant force with 101 tackles including 51 solo tackles. Had five sacks, eight quarterback hurries and eight TFLs. Led Wolverines to seven wins and a state playoff appearance.


Brad Fitzgibbon, Marist

DL Brad Fitzgibbon, Marist, Sr. 6-3, 280 pounds

Iowa recruit. Chicago Catholic League Lineman of the Year, selected to play in the US Army Bowl. Finished with 46 tackles, 6.5 sacks and nine TFLs while leading the RedHawks to a 9-2 record and the Class 8A state playoffs.


Nate Marshall, Fenwick

DL Nate Marshall, Fenwick, Sr. 6-5, 250 pounds

Michigan recruit. Navy All-American. 2024 Chicago Catholic League White Lawless Player of the Year. One of the top recruits in the country, also a standout tight end and basketball player. Finished with 60 tackles, 11 TFLs, 5.5 sacks. Had five touchdowns on offense.


Caden O'Rourke, Lincoln-Way East

Caden O’Rourke, Lincoln-Way East

DL Caden O’Rourke, Lincoln-Way East, Sr. 6-5, 230 pounds

Northwestern recruit. One of the area’s best defensive players for three seasons. Led the Griffins to an undefeated regular season and the Class 8A state semifinals. Finished with 54 tackles, 13 sacks, 10 TFLs and scored a touchdown.


Carson Cooney, Oswego

LB Carson Cooney, Oswego, Sr. 6-3, 225 pounds

Iowa recruit. Led Panthers to a 10-1 season and the Class 8A state playoffs. Finished with 77 tackles, three sacks, 13 quarterback hurries and seven TFLs. Scored three rushing touchdowns on offense.


Dominik Hulak, IC Catholic

Dominik Hulak, IC Catholic

LB Dominik Hulak, IC Catholic, Sr. 6-4, 235 pounds

Notre Dame recruit. Co-Red Grange All-County Defensive Player of the Year. Four-year varsity standout who played multiple positions for the Knights, including running back.


Gabe Kaminski, Nazareth

LB Gabe Kaminski, Nazareth, Sr. 6-3, 230 pounds

Stanford recruit. Four-year varsity standout, led Roadrunners to three consecutive Class 5A state championships. Totaled 369 tackles, 125 TFLs, 59 sacks and nine forced fumbles in his career. Also a weapon on offense at tight end.


Burke Gautcher, Sycamore

DB Burke Gautcher, Sycamore, Sr. 6-2, 210 pounds

Iowa recruit. Did it all for the Spartans. Had 60 tackles and an interception return for a touchdown as a safety. Rushed for 245 yards and eight touchdowns. As quarterback he completed 62% of his passes for 1,884 yards with 17 touchdowns and one interception.


Le'Javier Payne, Mount Carmel

Le’Javier Payne, Mount Carmel

DB Le’Javier Payne, Mount Carmel, Sr. 5-9, 170 pounds

Eastern Illinois recruit. Stepped up as an impact player in the biggest games in the state over the past two seasons. Had five interceptions this senior and 224 kick return yards, including an 82-yard kick return touchdown. Key member of the Caravan’s three-peat Class 7A championship core.


Donovan Robinson, Loyola

DB Donovan Robinson, Loyola, Sr. 6-3, 220 pounds

Washington recruit. Had 40 tackles, one sack and two interceptions. Also a force in special teams with two kickoff return touchdowns. Had a knack for stepping up in the biggest moments while helping the Ramblers win three consecutive Class 8A state championships.


Jahmare Washington, Morgan Park

Jahmare Washington, Morgan Park

DB Jahmare Washington, Morgan Park, Sr. 6-2, 170 pounds

Wisconsin recruit. Teamed with Jovan Clark, Pierre Jackson Jr. and Marcus Thaxton to lead the Mustangs to a 10-2 season and the state quarterfinals. Finished with four interceptions, 33 tackles and contributed on offense with two touchdowns.

Nikola Dugandzic, New Trier

Nikola Dugandzic, New Trier

P/K Nikola Dugandzic, Sr. 6-5, 205 pounds

Northwestern recruit. Navy All-American considered the best punter in the national class of 2025. Averaged 43.7 yards per punt with a long of 66 yards. Placed 20 punts inside the 20-yard line. Was 6 of 9 on field goals with a long of 51 yards.



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Property records raise new questions about influential Cook County judge

As the Illinois Judicial Inquiry Board investigates powerful Cook County Judge E. Kenneth Wright Jr. for claiming improper property tax exemptions in Will County, a new Injustice Watch examination raises ethical questions about Wright’s Chicago property holdings.

The investigation revealed Wright obtained four properties through the estates of his former law clients, sometimes serving as a beneficiary and an executor of the estates. In two cases, records show, his dead former clients filed property tax appeals on property owned by Wright — one more than two decades after the client’s death.

Records also show Wright repeatedly failed to disclose ownership in some of his Chicago properties in required ethics statements.

And now, two families of his now-deceased former clients have come forward in interviews with Injustice Watch to claim Wright took advantage of his position of trust — in one case, by allegedly engaging in an overly familiar relationship with a law client before she died, and in the other, allegedly betraying the wishes of a longtime friend.

“He did this underhanded,” said Deborah Elligan, 75, the daughter-in-law of deceased Wright client Lydia Adams, who signed a will enabling Wright to buy her home at a discount.

Wright, 83, declined numerous requests to be interviewed and did not respond to detailed emails outlining the allegations in this report.

The loyal Democrat was tapped to become a judge in 1994 and rose to become a highly respected presiding judge overseeing dozens of colleagues in Cook County Circuit Court’s First Municipal District. Before joining the judiciary, he was a solo practitioner handling mostly estates.

The investigation — which included thousands of pages of land and court records, interviews with surviving relatives of his deceased former law clients, and consultation with legal scholars who suggest the judge may have breached his ethical obligations — revealed how little scrutiny Wright’s background and finances faced as he rose to prominence in the Cook County judiciary.

This year — as Wright faced a retention vote in the Nov. 5 election — Injustice Watch flagged his residency conflict during a routine background search for its judicial election guide. The search found Wright had a general homestead exemption on his Joliet ranch house since at least 2005, and another senior citizen tax exemption on that property since 2018.

Officials at the Illinois Secretary of State also confirmed Wright’s drivers’ license has listed the same Joliet address since 1977. The Illinois Constitution requires judges to live in the jurisdiction where they serve, and state law allows homeowners to benefit from tax exemptions only on their principal residence.

Law professors who examined the facts surrounding how Wright obtained his properties said courts generally prohibit estate lawyers from engaging in business transactions with their clients because such dealings suggest undue influence, financial exploitation or perhaps even fraud.

“Anytime an estate planning attorney receives a substantial gift from a client’s will, it raises potential ethical and legal issues,” said Peter Wendel, a law professor at Pepperdine University. “An attorney who engages in such conduct has a lot of explaining to do.”

Another Wright client, Elmer Scott, ran a Morgan Park hardware store and owned several South Side properties until his death in 2006 at age 84. During the 1990s, records show Wright represented Scott in property and probate matters. But their friendship — and Wright’s legal advice — continued after Wright became a judge, according to Rose Scott, 79, who is Scott’s widow.

Rose Scott said she followed Wright’s guidance because she trusted her former husband’s friend and attorney and was unsure how to assert her rights in court.

She said she was shocked to learn Wright took title to her husband’s former home.

“People with titles and positions are expected to do right by others, but as soon as his [Elmer Scott’s] eyes were closed, this person starts raking in,” she said.

In 2003, Cook County Circuit Court Chief Judge Timothy Evans appointed Wright as the presiding judge of Cook County’s First Municipal District, putting him in charge of more than 40 other judges in Chicago’s housing, evictions and small claims courts.

Following Injustice Watch’s initial October report on Wright’s residency conflict, he told leading bar associations his Will County property tax exemptions were inappropriate and he had moved to revoke them. Will County officials confirmed Wright had corrected the record and eliminated the exemptions.

The Illinois State Bar Association and the Chicago Bar Association advised a “no” vote for Wright’s retention to the bench, and both groups are now reviewing how they evaluate judges’ performance and fitness for office.

The conflict nearly cost Wright his job, but he narrowly won retention in the November election.

To read the full Injustice Watch investigation, please go here.

Injustice Watch Reporter Kelly Garcia contributed.



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Who should be the new Bears coach? Sun-Times readers play general manager

We asked who the Bears should hire as their next head coach. Here’s what you said, lightly edited for clarity:

“Someone NOT on their list of interview candidates — truly, really, because they have shown to be thoroughly incompetent in evaluating GM and coaching talent.”
John Skager, 63, Frankfort

“Me! I’m undefeated in Madden.”
—Bob Ambriz

“Doesn’t matter what any of us think, the only thing true Bears fans know is that management will screw up the choice.”
Ron Skala

Former Chicago Bears head coach and player Mike Ditka is shown during an interview with a Sun-Times reporter in 2007.

Former Chicago Bears head coach and player Mike Ditka is shown during an interview with a Sun-Times reporter in 2007.

“Mike Ditka.”
—Renate Galgano

“Yogi would work for a picnic basket, which would fit into the Bears payroll. And since he is ‘smarter than the average Bear,’ he would be perfect!”
John Pontikes, 69, Des Plaines

“Can we get Dan Campbell? If he can get Detroit to an 11-1 record, he’s a miracle worker, and heaven knows, the Bears need someone like that after all the unBEARable losses we’ve seen.”
Paul Lockwood, 64, Woodstock

“Snoop Dog. Maybe he can motivate them to win.”
—Kristy Nichols

“A good or higher profile coach likely won’t come here due to organizational reputation. The best strategy would be to hire an offensive coach with a lower profile like Wes Phillips of Minnesota.”
Ophelia Edwards

“Me! I supported the Bears’ Super Bowl winning season devoutly in 1985, and I’m sure I can inspire a repeat. I would definitely call time out deep in enemy territory, down by three points with 30 seconds left.”
Roger Deschner

“A miracle worker.”
—Joan Elsenbast Ruddy

“Someone with NFL coaching experience. No more tests like Trestman, Eberflus and Waldron. Poles needs help from Wannstedt or someone like him.”
Mimi Tuerk Condon

“All the fans watching the game!”
—Diane Plain Maubach

“Bill Belichick. He’ll stop all the undisciplined nonsense or he’ll start cutting the players who won’t fall in line. Same philosophy as Mike Ditka.”
—Mark Liptak, 69, Back of the Yards

“Why doesn’t George McCaskey just be the head coach since he’s the real head coach anyway?!”
Thomas Brady

Chicago Bears board members Patrick and George McCaskey watch from the sidelines during a game against the Green Bay Packers at Soldier Field on Nov. 17.

Chicago Bears board members Patrick and George McCaskey watch from the sidelines during a game against the Green Bay Packers at Soldier Field on Nov. 17.

“The Bears should hire Ron Rivera. He is in the mold of Mike Ditka and is a Bears alum. He can inspire the Bears to do what we all hope they can.”
Frank Schneider, 87, Lake View East

“Kliff Kingsbury, as Caleb Williams needs a proven offensive guru and babysitter to coach him up.”
Walter Brzeski, 59, Dunning

“Lovie!”
—Erick Bachmann

“Don’t hire Brandon Johnson. He will run everything left, and it probably would be illegal.”
—Scott Gneiser



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Wicker Park fender bender ends with shooting of 11-year-old boy

An 11-year-old boy is recovering at a hospital after being shot following a minor traffic crash Friday morning on the Northwest Side.

Around 8:30 a.m., the boy was a passenger in a vehicle involved in a crash in the 1400 block of North Western Avenue, police said.

But when the driver of one of the involved vehicles attempted to exchange information, the other driver displayed a weapon and began firing at the vehicle containing the boy, police said.

The boy was wounded in the left hand and he was taken to Stroger Hospital where he was in good condition, police said.

No one was in custody.



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‘Once you start singing, don’t stop!’ Chicago’s Next Voices columnist writes

I’m M$. B’Havin, a 73-year-old blues singer.

Originally from San Antonio, Texas, I moved to the Chicago area in the ‘70s. I worked for two Fortune 500 corporations in Chicago, met my husband in Palatine, married in Long Grove, raised our children elsewhere.

In 2015, I was diagnosed with early Stage 1 colon cancer and had surgery to remove a cancerous tumor.

A year later, my husband had heart surgery.

We started to look at each other and our respective ages and began to ask, “Is this all there is?” We started to think about our lost dreams, things we had set aside in our careers — to raise our children and to make sure they received a college education.

Music was the one thing that was consistent in our lives.

Music was the thread that held the tapestry of our lives together — our healing, family, friends and community.

A friend came to visit us in 2018 and wanted to go to Buddy Guy’s Legends.

I live down the street from the club and had never been.

At Legends, my husband and I first became known for our dancing.

Dancing is one of my many passions, as well as poetry, pastel drawings and singing.

First, my husband started jamming on Monday nights. Then, the pandemic hit, and everything
went silent — except for his practicing at home during those dark pandemic days.

Music was our light!

After the 2020 vandalism and looting in the Loop following the killing of George Floyd, our family project was to donate our time to Buddy Guy’s club by painting the sheets of plywood that had been nailed up to protect the club’s windows.

My daughter painted those boards with colorful animated characters, and my husband added musical notes and Buddy Guy quotes.

It was a labor of love.

When we returned to “normal” around August 2021, it was so much fun to see our old friends again at Legends.

Then, it hit me: a cancer diagnosis, a pandemic, time was flying off the shelf, and I wanted to rekindle my dreams.

So in February 2023, I stepped out of the shower and onto the stage at Legends.

Norma Jean McAdams and Buddy Guy

Norma Jean McAdams and Buddy Guy

It wasn’t easy. I mentioned my singing idea to Buddy Guy. I loved the stories that blues music tells.

He said, “Once you start singing, don’t stop!” Then, blues legend Mary Lane heard me sing, and she became my mentor.

A band fell into place, which I call the $exagenarian$ (Sexagenarians.) Definition: an age group of 60- to 69-year-olds. I chose the name because it sounded nasty.

I had three band bookings at Fuller’s Irish Pub in Irving Park in May and a booking at the Marriott Naperville in June.

I’m proof that you can teach an old dog new tricks. Plus, I am living my best life. And singing the blues.



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Chicago murals: Giant floral bunny tangles with thorn branches over Wabash Arts Corridor

A massive and intricate new mural of a rabbit snagged in a thorny raspberry bush towers from the side of the Columbia College Student Center in the South Loop.

The white rabbit on a peach background is covered with swirls of blue floral line work and spans top-to-bottom on the multi-story mural. Green thorn branches bearing purple berries surround him, with flowers bursting in between. The mural, titled “Curious Bunny,” is at 754 S. Wabash Avenue, near the corner of 8th Street. It can be spotted from the street and the Orange and Green line L trains that run nearby. It’s about 120 feet tall by 100 feet across.

“I love thinking about people who look up from their phones, seeing that giant bunny,” says muralist Cheri Lee Charlton, a Columbia College assistant professor of design in the Illustration Program. She painted the mural over four weeks last summer with a team of Columbia College students.

A giant rabbit mural is painted on the Columbia College Student Center in the South Loop over the summer.

A giant rabbit mural is painted on the Columbia College Student Center in the South Loop over the summer.

“The college wanted to do something happy and cheerful,” Charlton says. “There was no way we were going to pass up a wall that big. No matter what.”

The mural is the largest Charlton has painted in her 16-year career, she says. By her rough calculations, Curious Bunny may be the second-largest mural in Chicago and the largest painted by a woman. The largest may be the Kerry James Marshall Mural at the Chicago Cultural Center. That mural is 132 feet wide and 100 feet tall and features 20 women who influenced Chicago’s thriving arts and culture scene.

Charlton rented a boom lift and employed a project manager. The students weren’t certified to drive the lift, she says, so she donned a harness and painted the mural’s upper echelons while they handled much of the lower 13 feet.

Columbia College students Elliot Straub, foreground, and Em Guczal paint a mural at the school's student center in the South Loop.

Columbia College students Elliot Straub, foreground, and Em Guczal paint a mural at the school’s student center in the South Loop.

The team started making stencils for the detailed line work throughout the piece, she says, but they soon realized that would take too much time. So, all of the line work was drawn freehand with spray paint. The larger swaths of color were painted with exterior latex paint.

Charlton says she sees the bunny escaping a thorn bush as a metaphor for students overcoming challenges as they grow into adulthood and strive toward their goals.

“I felt this mural concept was perfect for Columbia College, because I could allow the rabbit to represent the curiosity and drive I have seen in so many of my students over the years,” she says. “The bunny is surrounded by thorn bushes and in an active pose, representing the intelligence, hard work and resourcefulness it takes to conquer the challenges life may present — all while finding joy, life lessons and rewards in the exploration of the more-challenging paths we take.”

IMG_7710.jpg

This mural, titled “Curious Bunny” by Cheri Lee Charlton, is on the Columbia College Student Center, 754 S. Wabash Ave. in the South Loop.

The mural also serves as a tribute to children’s author and illustrator Beatrix Potter, an early female pioneer in the history of illustration who is best known for her tales about Peter Rabbit, Charlton says.

Along with honoring the students inside the building’s walls, the mural is part of the Wabash Arts Corridor, a stretch of Wabash Avenue between East Van Buren Street and East Roosevelt Road. Started in 2015, the strip now is populated with murals and is a destination for public art lovers.

For Charlton, that appreciation is personal.

“I love when I go to work now and see people taking photos of it,” she says. “I hope it brings joy to people in the community and makes the students proud to go into that space.”

The mural was sponsored by Behr Paint, Home Depot, Wooster Brush Company and One Summer Chicago, which connects Chicago teens with summer jobs.

Cheri Lee Charlton, a Columbia College assistant professor of design, painted the mural with students over the summer.

Cheri Lee Charlton, a Columbia College assistant professor of design, painted the mural with students over the summer.



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The Double Sprint Twins — Toni and Maria

It’s that time of the year again, folks — when Ms. Mix and Ms. Match meet on the fashion runway.

Cook County Board President Toni Preckwinkle and Cook County Treasurer Maria Pappas are mostly “feather meets leather” gal pals on the fashion runway. Two total apparel opposites.

Except at Christmas time.

Last Christmas, Maria the mover, decked out in a pink and black fluffy feather jacket, decided to mix things up and gave her conservatively suited pal, Toni the Tiger, a dressing up: a denim jacket studded with a huge “Evil Eye.”

It was also studded with feathers, flimsy, whimsy and a bright red lapel flower.

Maria chuckled. Toni chortled. A chummy pic was snapped.

This Christmas season, Maria gave Toni a new holiday jacket: a sparkling, silvery-studded, more conservative number — minus feathers this time and no giganto eyeball.

“I just thought Toni could use a bit more Pappas style,” Pappas chuckled.

“Well, Maria is known for her fabulous jackets; she is my friend and I thought why not jazz it up a bit with plenty of sparkles (if only for a few minutes) during the holiday season,” chuckled Preckwinkle.

Prudent politics, folks. Government style.

The Lake effect …

What’s in a job?

Here’s what, Trump-style.

Specifically, President-elect Donald Trump’s stunning selection of former Arizona TV Trumpette Kari Lake to head the globally broadcast Voice of America, which is funded by the U.S. government.

The hiring of the loyal Lake, despite the fact she lost separate bids to become Arizona’s governor and U.S. senator, could result in Trump’s ultimate flip off to his Yankee detractors.

It’s foxy as heck.

Here’s why, Trump-style.

To wit: Why not grab the “Voice of America” microphone, which is broadcast all over the world, and hand it to Lake, a seasoned communicator and unapologetic election denier, a mega MAGA stumper who believes that Trump’s 2020 presidential re-election bid was stolen.

The big question?

During Lake’s VOA reign, if Trump survives another four years of hamburger consumption, how will the international broadcasting channel she runs deal with Trump’s insistence that the 2020 presidential election was stolen from him?

It’s gotta come up.

Begun in 1942 to combat Nazi propaganda with accurate and unbiased news, the Voice of America (VOA) was tasked with serving the world with “truth, hope and inspiration.”

Hmm: Will the VOA, under Lake’s reign, become the definition of a “squelch”: a soft sucking sound like one made in mud?

Or will it become the electronic definition of a “squelch”: a circuit suppressing the output of a radio receiver if the signal strength falls below a certain level?

It’s hard to know whether to laugh or cry.

The Trump stump…

Trump won.

Still flabbergasted? Flummoxed?

Well, here’s food for thought in advance of President-elect Donald Trump’s inauguration in January.

To wit: Don’t be surprised if the record-breaking “massive” crowds Trump “falsely” claimed showed up at his 2016 inauguration might indeed break records this time based on his overwhelming 2024 vote totals.

The talk balk: Due to Trump’s disdain of teleprompter speeches and his love of rally rants, don’t be surprised if his “formal” inaugural acceptance speech in January stretches into a titillating Trump rally monologue.

Sneedlings…

Saturday birthdays: actress Natascha McElhone, 55; actress Vanessa Hudgens, 36. … Sunday birthdays: actor Don Johnson, 75; The Supremes singer Cindy Birdsong, 85; drummer Dave Clark of the Dave Clark Five, 85; actress Michelle “Downtown Abbey” Dockery, 43.



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In swordplay classes, Columbia College students learn to fight with skill and die with style

There’s a right way to die and a wrong way to die.

For David Woolley, namby-pamby flopping to the ground without so much as a groan is decidedly not the way to go. He wants to see a long, slow release of breath accompanied by shivering, writhing and some semblance of the-too-disgusting-to-mention-here bodily functions that accompany the last stages of a violent demise.

“Now, take your partner and kill them!” the Columbia College Chicago stage combat professor urges his charges.

In response, two dozen or so eager trainees raise their swords. Blades clash, glinting in the late-morning sun accompanied by cries of imagined agony. There’s stumbling, falling. Hands press against fatal wounds.

Angel Román (left) “stabs” Emma Green during a Stage Combat basic level class at Columbia College’s Getz Theatre Center earlier this month.

Angel Román (left) “stabs” Emma Green during a Stage Combat basic level class at Columbia College’s Getz Theatre Center earlier this month.

Anthony Vazquez/Sun-Times

Few things delight a Western audience quite like a fight to the death — from the dueling in Shakespeare’s “Romeo and Juliet” to the two-bladed decapitation in Ridley Scott’s “Gladiator II.”

And few likely know as much about the art of faux fighting as Woolley, who has practiced and taught swordplay for almost four decades. When he’s not instructing at Columbia College, he travels — armed with swords and daggers — to Renaissance fairs across the country.

He’s coached stage combat at most of the major theaters in Chicago and his students have gone on to do everything from professional wrestling to stunt work for TV shows that include “Chicago Fire” and “The Bear.”

Woolley — solidly built with a grizzled jaw and his silver hair slicked back in a ponytail — surely has one of the most macabre libraries in the city, with titles such as, “On Killing,” “The Complete Book of Knife Fighting” and “The Duel” in his poky office on the third floor of the Getz Theatre Center downtown. In the time before Google, he’d travel the country photocopying Renaissance manuals on the art of personal combat.

He takes what he does very seriously, because when the weapons come out, it means that — on stage, in film and sometimes in life — there’s nothing left to say.

“Act Five, scene three — in many Shakespeare plays — is where the fight happens,” Woolley said. “We have made it to this point in the play. Somebody is going to fight, and somebody is going to die.”

And if you don’t do it right, the audience won’t buy it — or worse, someone could get hurt. But Woolley said the worst injury he could recall in one of his classes was a separated shoulder, when someone took a tumble. As for his own 65-year-old body?

“Mostly wear and tear,” he said, adding that he starts each day with an hour or so of yoga.

Last week, Woolley was teaching an introductory rapier-and-dagger class to a group of a dozen or so mostly young women.

“You all, we’re going to go really slowly — one phrase at a time,” Woolley said, by which he meant a pause to punctuate every thrust, cut and parry.

He told them to keep their shoulders square, as though this were a camera shot in a movie.

In a death scene, the sword comes in at an angle, lightly touching the waist of the victim, who, doubled over, then helps in her own demise — with a hand over the tip of the blade and discreetly pulling it to her belly.

Then, with a sleight-of-hand, the combatants work together to make it look as though the victor is driving the blade in deeper.

“You want to run it up under the ribs and up into the heart and lungs!” Woolley bellows to his students, trying to be heard over the groans and clanging of swords.

Emma Green "dies" after she is “stabbed” by fellow Stage Combat student Angel Román at Columbia College’s Getz Theatre Center.

Emma Green “dies” after she is “stabbed” by fellow Stage Combat student Angel Román at Columbia College’s Getz Theatre Center.

Anthony Vazquez/Sun-Times

But there’s more.

“Once you pull it out, there is elation, followed closely by nausea — followed by bad dreams and PTSD,” Woolley tells his students.

Those students see the combat classes as a way of adding another tool to their box.

“It’s really good on a (acting) resume if you already know how to do combat,” says Emma Green, a Columbia theater student who has been studying sword play for about a year and a half. “Then, they don’t have to teach you.”

Woolley started teaching a single combat class at Columbia back in 1985. Now, Columbia offers between six and nine each semester.

“In competing with film and satisfying our audience’s bloodlust for violence that they could believe, we had to get better at doing the physical actions of violence,” he says of the increased number of class offerings since he started teaching.

How does he explain the enduring appeal of a drawn-out sword fight, especially in an age when audiences often expect instant gratification, which they can get with the pull of a trigger?

Guns scare people, he says.

“Swords are swashbuckling and fun. Our hero uses a sword to save the day,” Woolley says. “Usually, it’s visually impressive. It catches light. And everyone thinks they can do it, which they probably can — with some practice!”

If they want to learn how it should be done — so that it’s believable but also true to the historical traditions of dueling — it’s a little easier now because the manuals Woolley spent years photocopying are mostly available online. With a greater access to such materials, stage and film combat has become more authentic, Woolley said.

In his office, Woolley clicked on a video of a team of Czech stunt men he admires. To the untrained eye, they look like superb swordsmen going at each other with a brutal ferocity. But it’s still acting. The viewer, by design, has a view of every thrust, cut and parry.

“With stage combat, you’re trying to make pictures that will tell the audience the story of what’s going on. Creating violent pictures often competes with reality,” Woolley says

Ultimately, it’s about entertainment. How many viewers will notice if the sword is correct for the time period or if it’s being wielded the right way?

“One percent of your viewers will notice that,” Woolley says. “Once the swords come out, that’s all they see: Shiny! It’s a sword! Yay! People love sword fights. Thank God.”



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